Have you ever noticed the subtler things we do with our art? The little changes we make that hold a bigger impact?
When creating art, be it writing, photography, or anything else, it can often be improved with little touches. That doesn’t mean to say that big changes can’t help, perhaps you’re working with a photograph that really has no merit, perhaps your story has gone on a bit of a tangent or you need to kill your darlings, but lets discuss the little changes.
These are the kinds of things that, when done correctly, nobody may notice, but when done wrong/not done at all, they can often stand out. They’re also the kind of things that people without the ‘eye’ for them might not see, but may feel. People who aren’t writers, may not be able to say why they prefer one writing style over another, just like people who aren’t musicians, like myself, can’t necessarily grasp what makes one song better than another. We may feel it inside, we may naturally pick one cover of a song over another, or favour one photograph despite it’s subject matter being same to its kin. Sometimes the artist has tweaked something, and it’s made a big difference, and sometimes it goes without notice.
And doesn’t this make art amazing? It’s something I truly love, the ability to affect someone without them realising why, and I believe its partly to blame for arts subjectivity. In my photography work, I often make little changes to photos that I like to think really helps the overall image. However, these are changes that someone might not even realise are there to begin with. They can be something as simple as cropping a photo, realigning it, changing its colour, to something a little more complex like adding grain, or playing with the tone. Greg came to me the other day to change a photo because there was some fluff on the shoulder of a groom. It was my photo, I’d taken it, and I hadn’t even noticed this; upon changing it though it felt like a huge difference to me... I couldn’t believe I hadn’t noticed it before.
Now you might think this is me being too much of a perfectionist, perhaps it wouldn’t affect someone else. Then again, there’s no way to know whether it would without you seeing both and a comparison defeats the objective of a subconscious affect. I strongly believe, though, that there’s these little details in art that slip into your subconscious before you can register them. It’s the same with writing, the difference between a good writer and a great one is often these little aspects that set them apart. It’s also something I see a lot in films, where over time I’ve come to understand more about camera work, cinematography, and directing decisions. Having this understanding, this lens, helps me to articulate what I think makes or breaks a piece.
Just like some people don’t notice the changes, I think sometimes we don’t even really notice we do it either. We might change a few words round in a sentence and find it flows that bit better. Did the sentence work before? Certainly! But it might not have held the same impact. I think by being conscious of these changes though, we begin to understand what we aim to do with our art. We can develop a deeper appreciation for what we’re all trying to achieve.